Evoking the city's relentless energy and dynamic spirit of São Paulo, filmmaker Caetano's unflinching drama centres on those who inhabit the outskirts of an perpetually shifting metropolis. Fresh out of juvenile prison, 18-year-old Wellington (João Pedro Mariano) faces a critical turning point; deserted by his parents, the wide-eyed young man finds solace in the arms of others.
On an late-night excursion with his rowdy group of gay and non-binary friends, Wellington meets Ronaldo (actor Ricardo Teodoro), a hunky, charismatic hustler over double his age. Illuminated by the flickering glow of a adult movie theater, their first meeting is intimate and charged, with an hint of risk. Ronaldo swiftly initiates Wellington to the underground scene of prostitution and selling drugs.
The director portrays Wellington’s new life of crime with gentle sympathy as opposed to as a sensationalist cautionary tale. Now adopting the moniker Baby, he engages in his paid liaisons with cocky bravado and touching naivety. To his customers, Wellington provides not just his youth and his body, but also fleeting acts of kindness.
In the electrifying chaos of São Paulo, overflowing with bustling alleyways and vibrant storefronts, there’s a deep-seated solitude, as unmoored souls hold fast to one another for momentary bliss.
"The city might be fraught with peril, yet they are also the space where they can forge familial bonds, too."
Ronaldo is at once a romantic interest and a guardian-like mentor to Wellington, but their connection is thrown off course by jealousy and economic precarity. Intimidation from dubious individuals in the shadow economy pale in comparison to the anxiety about institutional observation and imprisonment, epitomized by the constant sight of police officers making their rounds.
Baby is most powerful as a keen observation of the forgotten souls who have been failed by the system. The film functions as a heartfelt examination into survival, found community, and the pursuit of identity within a demanding urban landscape.
Maya Sterling is a film critic with over a decade of experience, passionate about uncovering hidden gems in cinema.